Viewing entries tagged
Zach Gage

Built to Play: LIVE - Perfection

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Built to Play: LIVE - Perfection

In support of CJRU's fund drive, we did a live episode of Built to Play!

We talk to Patrick O'Rourke about Playstation VR. Zach Gage tells us why he's afraid of chess. Mare Sheppard and Raigan Burns from Metanet Software describe their pursuit for perfection. Daniel Rosen scoured the web for some of the biggest disasters in dubbing.

To donate visit CJRU.ca


THANKS TO THE FREE MUSIC ARCHIVE FOR "Erotic Robotics," "Intergalactic Lounge Music" BY Polish Ambassador. OCRemix for "Clockwork Groove" by Eino Keskitalo.

WE ALSO USED CLIPS FROM THE TURNABOUT JAZZ SOUL COMPILATION ALBUM. 

BUILT TO PLAY IS A PRODUCT OF CJRU IN THE HEART OF DOWNTOWN TORONTO. IT WAS PRODUCED BY ARMAN AGHBALI AND DANIEL ROSEN.

IF YOU LIKE THE SHOW PLEASE SUBSCRIBE AND RATE US ONLINE. IT HELPS MORE PEOPLE FIND THE SHOW AND GIVES US AN IDEA HOW WE'RE DOING. FEEL FREE TO COMMENT DOWN BELOW.

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Built to Play 54: The Beyond

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Built to Play 54: The Beyond

Built to Play explores the great beyond with games about the human heart, the future and cosmological afterlife.

It's taken us a few weeks to get back into gear thanks to DICE, GDC and PAX East all being in short succession of each other, as people are either at a conference or will be soon. With that in mind, welcome to our first theme of 2015, Space. We're going to explore games and media's relationship to space and how it was almost inevitable that the black background of early video games would be explained as "Oh, that's just space." Not included on that list funnily enough is Space Invaders, which takes place in the upper atmosphere and therefore has no excuse. 

Infinity, whether it's expressed as the infinite blackness of the void or the range of infinite possibilities, has often been alluded to by games. In Gravity Ghost, Erin Robinson uses our impression of space as a glimmering and distant wonder to set a stage for a purgatory of sorts, where hurts can be healed and children can be redeemed. Zach Gage doesn't refer to space at all in #Fortune, unless one is lucky enough to have a fortune involving it. Instead, #Fortune reaches into the seemingly infinite output of Twitter and delivers an often random collection of potential events. Both projects attempt to describe something beyond us, the future or death (or maybe both),  and trust that we'll like what they find. 

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